[Machine Translation] One corpse, seven pounds. Medical progress breeds murder. In the name of science, demons have crossed over from the graveyard. / Based on the real-life Bark and Hare Serial Murders," this is a terrifying tale of the violent clash between medical advancement and human conscience. The silence of doctors seeking fresh cadavers for dissection eventually leads to an irreversible tragedy. / Director Freddie Francis, who made a name for himself with horror films for Hammer and Amicus, recreates soot-shrouded 19th-century England in somber hues. Wet cobblestones, cemeteries, and dissection rooms shape a world of profound Gothic horror. / Ronald Harwood who later wrote *The Pianist* adapted the screenplay based on the work of the poet Dylan Thomas, who died young. Through sharp dialogue and an unsettling aftertaste, the film questions the guilt of intellectuals who turn a blind eye to ethics under the guise of scientific progress. A remake of the 1959 film *The Autopsy of Dr. Jekyll and Mr. Hyde*, starring P. Cushing. / The film brings together a stellar cast of British theater legends, including Timothy Dalton (the fourth James Bond), Twiggy, Jonathan Price, Stephen Rea, and Julian Sands. Further bolstered by Twiggy and Patrick Stewart in supporting roles, the film portrays a human tapestry of decadence and madness. Executive produced by Mel Brooks. 19th-century England. Dr. Thomas Rock, a renowned anatomist, harbors a deep curiosity about the human body but is frustrated by the strict legal restrictions on obtaining cadavers for research. Eventually, two men named Fallon and Bloom bring him a fresh corpse they ve stolen from a grave. Eager to advance his research, Lock accepts them in exchange for payment without delving deeply into their origins. However, realizing there is an easier way to obtain corpses than risking grave desecration, the two men eventually set their sights on living people. One after another, flawless corpses were brought in. While his assistant, Murray, grew increasingly suspicious, Rock clung to the greater cause of science and continued to turn a blind eye to the suspicions. Meanwhile, the evil clutches of these demons were also creeping up on Jenny, the tavern singer with whom Murray had developed feelings