[Machine Translation] The moon and flowers of the Atara Yoru night are the same as the moon and the flowers of the Atara Yoru night. This is a CD produced by the "Atara Yoru Project" team, which presents the "classical world" of Akiko Nishigata, who has been running in the world of contemporary music. Akiko Nishigata/Sangen & -Atara Yoru (Atara Yoru)" is an album full of the charms of the classics, selected from Akiko Nishigata's program of solo recitals abroad to introduce the rich diversity of koto and sangen music, and with the most suitable supporting performers including Suzumo Aoki II, Japan's greatest living national treasure. The album is full of the charms of the classics. In koto music, the sangen is an instrument that accompanies the koto, but its range of expression is significantly greater than that of the koto, and it plays an important role in supporting the main actor's songs (stories). Yamada Kensaku, in particular, was a master of the sangen. Yamada Kenkaku, in particular, is a master of the sangen (three-stringed instrument), and he skillfully incorporates the characteristics of Edo joruri, effectively using its distinctive techniques to heighten the dramatic scenes of his works. Please enjoy this gorgeous, gorgeous, and delicate performance of a classic. Akiko Nishigata learned the Yamada style of koto music from her mother (Nishigata Bikei) at an early age. She entered the Department of Traditional Japanese Music at Tokyo University of the Arts, where she studied under Professor Kinichi Nakanoshima. After graduation, studied under Shokuni Kineya. Studied shamisen music in general. In 1967, he became the music director of Ken Takeuchi's theater company "Hyogenza"; in 1970, he organized "Akiko - No.1" AKIKO IN CLASSIC KOTO; in 1975, he wrote and directed a traditional Japanese music play "Gosei Komachi" by Ken Takeuchi; and in 1976, he directed a Japanese traditional music play "Gosei Komachi" by Ken Takeuchi. Since 1975, he has been presenting a series of recitals of contemporary shamisen music, commissioning new works from leading composers and premiering many new pieces, opening up new areas of shamisen music. In 1980, he founded the Gendai Sankyoku Ensemble, which performs throughout Europe. In 1980, he formed the "Contemporary Sankyoku Ensemble", which performs throughout Europe. He has held the 1st & 4th "Ensemble for Contemporary Sankyoku" in Tokyo, Japan, "Kyara no Aroma" classical concerts in 2002 & 2003, "Wane Live" in 2003, "Ichimen no Rape Flower" concerts in 2004, "Classical Concerts" in 2011, and "Pamusi" concerts in 1979.