New Customer Review

The Fukuoka show is often unfairly overlooked. Here, "Larks' Tongues in Aspic IV" sounds as aggressive as it gets. The SHM-CD edition brings Mastelotto’s percussion nuances to the fore, which were often lost on standard bootlegs.

Momoko Kikuchi’s best album gathers her shimmering City Pop classics. Her soft youthful vocals carry warm Showa nostalgia, an essential collection for 80s J-pop lovers.

Everything came perfectly, there's also a booklet I didn't expect, the quality of sound is so nice! thanks cdjapan!

I bought this having already listened to the digital album. Its good. The case for the cds was unexpected, and honestly quite hard to display. But the cd jacket being so big makes it worth it.

The band sounds fresh and dangerous. The intertwining of heavy "Level Five" riffs with ambient soundscapes creates incredible tension. A great start that set the bar high for the entire run.

Back to the capital. This show stands out for its technical flawlessness. “Sex Sleep Eat Drink Dream” runs like a perfect machine. Trey Gunn and Tony Levin create an incredible low-end wall of sound.

The grand finale. The band gave it their all. The encore of “21st Century Schizoid Man” was a total explosion. A fitting end to the Japanese tour, solidifying Crimson's status as the kings of progressive rock.

The energy in Nagoya was off the charts. The audience gave a very warm welcome. The performance of “Dinosaur” was truly heavy and crushing. Fripp remains motionless, yet his guitar lines slice through the air with terrifying precision.

Osaka’s hall acoustics were perfect for the ambient moments. The opening improvisation set a mysterious tone. “Three of a Perfect Pair” felt fresh and energetic despite its complex rhythmic structure.

The band sounds supremely confident. The shifting rhythms in “Indiscipline” left the crowd breathless. Belew masterfully commands the audience's attention, turning the gig into a true performance.

The penultimate show of the tour. A slight fatigue is felt, but it only adds a raw, primal power to the music. “Elephant Talk” brings smiles to faces — a rare moment of humor in the serious Crimson canon.

This CD edition of the debut album "The Piper at the Gates of Dawn" is a perfect portal to 1967 psychedelic London. Created under the visionary leadership of Syd Barrett, this Japanese release sounds incredibly fresh and spacious. The inclusion of bonus tracks, such as the early singles "Arnold Layne" and "See Emily Play," turns this disc into a comprehensive collection of the band's early masterpieces. The audio is crystal clear, allowing every experimental effect. It is a true treasure for any collector seeking the most complete version of Pink Floyd’s definitive starting point.

A stellar tour opener. The Double Trio is in top form. The sheer power of two drummers on “THRAK” is overwhelming, while the Fripp-Belew guitar interplay on “Frame by Frame” is surgical. The audience was mesmerized by the technical precision.

The entire album is permeated with a light and bright southern atmosphere. Shigeru Suzuki continues his smooth guitar playing, while Tsuro Yamashita showcases multi-track recording and rich harmonies. Hosono adds more distinct electronic experiments, I love this album!

finally we got Midnight merchandise! I always wanted a Midnight plush and her being dressed as sushi makes me so so happy :D she is so soft and adorable

The first night in Tokyo. A perfectly balanced set, ranging from the aggression of “Red” to the ethereal “Walking on Air.” The acoustics allowed every nuance of Trey Gunn’s touch guitar to shine. The band sounds incredibly tight despite the complex lineup.

The band continues to push boundaries with improvisations. “VROOOM VROOOM” felt particularly sharp tonight. Adrian Belew remains a charismatic focal point; his vocals on “One Time” provide a human touch within the mathematically precise chaos.

This show served as the basis for the famous video release. Visually and musically, they are at their peak. “Larks' Tongues in Aspic, Part II” sounds monumental. The Bruford-Mastelotto drum duel is simply beyond comprehension.

Second night at Sun Plaza. The band feels more relaxed, which benefits the improvisational segments. “The Talking Drum” builds tension to a breaking point. Tony Levin’s bass provides the rock-solid foundation for this sonic madness.

Filmed over four nights in 2019 at the Ziggo Dome in Amsterdam and directed by Waters and Sean Evans, ”Us + Them” is no mere concert film. This is an emotional and moving live multi-media spectacle that transcends the average concert-going experience. Waters and Pink Floyd have always used films, extravagant props and imaginative lighting to enhance the concert experience, and there is no shortage of those effects used here.