New Customer Review

Nagoya gave the band a powerful reception. The energy of the hall is palpable through the recording. The band sounds like a single, perfectly tuned machine. "Dangerous Curves" slowly builds the atmosphere, turning into a sonic storm perfectly captured on CDs.

The final chord of the Japanese tour. There is a sense of triumph in the performance. The closing "Red" sounds monumental and heavy. The SHM-CD provides the high-fidelity transparency necessary for such rich and complex music.

This release is a true gem for fans of the 80s lineup. The Frejus recording showcases King Crimson at the height of their "polyrhythmic" prowess. The SHM-CD edition delivers stunning detail: the shimmering guitars of Fripp and Belew on “The Sheltering Sky” sound crystal clear, while Tony Levin’s elastic bass and Bruford’s intricate drumming drive “Thela Hun Ginjeet” with incredible energy. The Mini-LP packaging and high-fidelity sound make this CD the definitive way to revisit that sun-drenched French arena performance.

An inspiring live performance in 1981 by three great guitarists, that every guitar lover must hear. The late Paco de Lucia is one of my all-time favorite guitarists. Fast, virtuosic, passionate, and innovative he was, and so open minded to blend the art of flamenco with other genre (like his collaboration with Al Di Meola, Larry Coryell, John McLaughlin and Chick Corea). The other two, Al Di Meola and John McLaughlin are definitely among best jazz fusion guitarists in recent time.

One Last Kiss delivers bittersweet farewells and peaceful closure via sleek synth-pop sounds. The reworked Beautiful World adds dreamy nostalgia. Polished and heartfelt, it makes a tender, timeless musical epilogue.

I love this anime for decades and the music is still so good to listen too! Even the new music that remixes the old song , sounds fitting with the stunning vocals. And the CD case with the lyrics booklet and the large poster are a fine addition as an extra.

I love this album so much. It contains all my favorite songs, and every track never fails to touch my heart.

A classic show thanks to the KCCC series. The performance of "The Power to Believe II" here feels almost sacred. Trey Gunn demonstrates an extraordinary mastery of the Warr Guitar. You can hear every overtone in Robert Fripp's quiet passages.

The first of three nights at this iconic venue. The band is fully locked in. The version of "The Deception of the Thrush" is filled with both melancholy and power. The low end is incredibly tight, creating a true front-row presence.

The tour's pinnacle and the basis for the "EleKtriK" release. This is a definitive quartet performance. The attention to detail in "Facts of Life" is stunning. The emphasis is on dynamic range – from whisper to industrial rumble.

The final Tokyo night. There is a sense of more freedom and risk in the improvisations. Adrian Belew is in top vocal form, and his guitar "screams" in "Elephant Talk" are particularly vivid. The complexity of the sound layers is conveyed in detail.

The Fukuoka show is often unfairly overlooked. Here, "Larks' Tongues in Aspic IV" sounds as aggressive as it gets. The SHM-CD edition brings Mastelotto’s percussion nuances to the fore, which were often lost on standard bootlegs.

Momoko Kikuchi’s best album gathers her shimmering City Pop classics. Her soft youthful vocals carry warm Showa nostalgia, an essential collection for 80s J-pop lovers.

Everything came perfectly, there's also a booklet I didn't expect, the quality of sound is so nice! thanks cdjapan!

I bought this having already listened to the digital album. Its good. The case for the cds was unexpected, and honestly quite hard to display. But the cd jacket being so big makes it worth it.

The band sounds fresh and dangerous. The intertwining of heavy "Level Five" riffs with ambient soundscapes creates incredible tension. A great start that set the bar high for the entire run.

Back to the capital. This show stands out for its technical flawlessness. “Sex Sleep Eat Drink Dream” runs like a perfect machine. Trey Gunn and Tony Levin create an incredible low-end wall of sound.

The grand finale. The band gave it their all. The encore of “21st Century Schizoid Man” was a total explosion. A fitting end to the Japanese tour, solidifying Crimson's status as the kings of progressive rock.

The energy in Nagoya was off the charts. The audience gave a very warm welcome. The performance of “Dinosaur” was truly heavy and crushing. Fripp remains motionless, yet his guitar lines slice through the air with terrifying precision.

Osaka’s hall acoustics were perfect for the ambient moments. The opening improvisation set a mysterious tone. “Three of a Perfect Pair” felt fresh and energetic despite its complex rhythmic structure.