New Customer Review

This release documents an early stop of the Japanese tour, recorded live in Yokohama. Unlike later, more loose performances, this show features a precise, high-concentration focus where the band strictly locks into complex mathematical structures while Pat Mastelotto's polyrhythmic drumming remains perfectly clear. Live renditions of “Thela Hun Ginjeet” and “VROOOM” demonstrate superb dynamic separation between Belew and Fripp's interlocking guitars.

This release stands out among all 11 Japanese tour dates for its maximum level of sheer heaviness. The Nagoya show is widely regarded as a hardcore Crimson night, pushing the “The ConstruKction of Light” material to its absolute sonic limit. The quartet's performance leans heavily into aggressive industrial metal territory. The Japanese mastering handles the intense frequency range beautifully, ensuring Fripp and Belew’s harsh guitar interplay remains perfectly clear against Pat Mastelotto’s thunderous electronic percussion.

This recording from Osaka’s Festival Hall showcases the band entering a state of absolute musical synergy. The setlist opens with a hypnotic soundscape followed by a stellar “VROOOM,” while the live renditions of “Thela Hun Ginjeet” and “Fractured” crackle with incredible dynamic energy. Compared to the brutal Nagoya gig, the band sounds significantly more fluid and flexible here, leaving ample room for spontaneous improvisation. The soundboard audio is pristine, translating the venue's world-class acoustics.

Everything’s authentic and the packaging was great, nothing was damaged. She has all her accessories and is amazing

Very interesting album and I like it a lot. Sound is very good. I recommend to others as well to listen.

Very good album and the only one they have. I have the vinyl also so I decided to take the SHM CD. I recommend.

This release documents the heavy, industrial edge of the Fripp-Belew-Gunn-Mastelotto quartet in Shibuya. The concert features material from “The ConstruKction of Light” executed with razor-sharp intensity. The standouts are the brutal performances of “Fractured” and “FraKctured,” showcasing blinding interplay between Fripp and Trey Gunn. The Japanese mastering handles Mastelotto's electronic percussion perfectly, preserving the intricate guitar polyphony.

This gig at the iconic Nakano Sun Plaza catches the band at the absolute peak of their 2000 tour chemistry. The musicians feel loose, leading to deeper, more ominous improvisations. The audio is incredibly dense with a robust low-end punch. The live rendition of “Larks' Tongues in Aspic: Part IV” is terrifyingly powerful. This CDs is essential for late-era Crimson enthusiasts.

This double CD captures the final Tokyo performance of the Fall 2000 tour at Nakano Sunplaza. Highly charged with end-of-residency energy, the quartet executes the industrial metal assault of “The ConstruKction of Light” and the intricate “FraKctured” with razor-sharp fury. The show stands out for its deep, ominous improvisations, spotlighting Trey Gunn’s heavy touch-guitar soundscapes. Sourced from the soundboard, the audio clarity is stellar.

Super fast shipping! The packaging was also very secure, so everything arrived safely. These goods are so cute and lovely. I'm really glad I bought them.

Super fast shipping! The packaging was also very secure, so everything arrived safely. These goods are so cute and lovely. I'm really glad I bought them.

I like all of King Crimson albums and this album is one of the best. Sound is very good and I recommend to others. The most jazz album.

Very good album. I like all of his albums. Sound is very good and i recommend to others as well to listen.

Very good album and I like all of Who albums. Nicely done and sound is very good. I recommend to others as well.

I like Who a lot escpesially the first ones. Sound and album is very good. I recommend to others as well.

This album is very good and has a good sound. I like Who a lot and I recommend to others as well to listen.

Very good album. I like all of their albums and have been listening to them a lot nowadays. I recommend.

This release marks the grand, emotional finale of the 1995 Japanese tour. Performed at an absolute fever pitch, the band bids farewell to the audience with a fierce and sonically pristine set. The undeniable highlights are a crushing rendition of “Larks' Tongues in Aspic, Part II” and a ferocious “21st Century Schizoid Man.”

It's a monumental live document from The ConstruKction of Light era. This album captures the "Double Duo" lineup (Fripp, Belew, Gunn, Mastelotto) at the very start of their legendary Japanese tour in October 2000. It's a true gem for fans of the band's heavy, mathematically precise sound. Live renditions of tracks like FraKctured or the jaw-dropping The ConstruKction of Light sound significantly more organic, raw, and aggressive here than their studio counterparts. Pat Mastelotto's electronic percussion and Trey Gunn's dense Warr guitar lines construct an impenetrable wall of sound, setting the stage for the intense guitar duels between Adrian Belew and Robert Fripp. The setlist perfectly balances fierce new material with Discipline-era classics like Thela Hun Ginjeet and Frame by Frame. The soundboard quality on this Japanese edition is immaculate, capturing every single nuance of the complex polyrhythms. It is an essential listen for anyone who appreciates late-era, uncompromising industrial progressive rock.

This double CD documents the very beginning of the band’s Tokyo residency on their Fall tour. The quartet performs with high focus, unleashing surgically precise, industrial riffs. Live takes of “Into the Frying Pan” and the title track “The ConstruKction of Light” are executed with fierce digital drive. The highlight of this release is the pristine stereo separation, perfectly parsing Belew and Fripp's interlocking guitars across the channels.