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Collectors' Club: Shibuya Kohkaido, Tokyo, Japan (Octover 5, 2000)King CrimsonThis is an essential chronicleThe second consecutive night in Shibuya catches the quartet shedding initial performance tension and embracing experimental liberties. The core treasure of this release lies in two expansive, ominous improvisations (Improv I and Improv II), where Trey Gunn’s touch guitar weaves dense, hypnotic low-end soundscapes. The sheer crushing weight of “Larks' Tongues in Aspic (Part IV)” reaches an absolute pinnacle here, with Pat Mastelotto's electronic percussion shaking the mix.
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Lively Paradise 2025Wonderful show!Great and lovely show! Geetings and interacting with the audience! No MC subtitles. Many famous songs like: "As God Wills" (At God's Mercy), "Setsuna Trip", "Earth's Last Confession" and surpisingly "Justin Jive Justify" from 'Lead Princess of the Colorless World' of nyanyannya! It's a truly fun and delightful!
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Huggy Good Smile Bungo Stray Dogs Osamu DazaiAmazingSooo adorable and high quality, paint jobs are so smooth and the magnets are strong. Would highly recommend!!
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Huggy Good Smile Bungo Stray Dogs Chuya NakaharaAmazingSooooo adorable I brought two of them and they both arrived in great condition and were packaged carefully, would highly recommend.
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Bungo Stray Dogs Mofu-Mofu Flat Pouch D : Chuya NakaharaCuteSooo cute and I didn’t expect the pouch to be a soft velvet material but I love it, a bit smaller than I thought it would be but I still love it.
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Koseinenkin Kaikan, Tokyo, Japan (October 3, 1995)King CrimsonFor live audiophile sound puristsThis double CD captures the band's second night at the Koseinenkin Kaikan. Compared to the previous evening, the musicians sound noticeably more aggressive and confident. The highlight is the bone-crushing performance of “THRAK” and “B'Boom,” where the stereo imaging perfectly separates Bill Bruford’s drums (left channel) from Pat Mastelotto’s (right channel). Sourced from the original DAT tape, the Japanese remastering pushes the low end to its limits, making Tony Levin’s heavy bass vibrate in the mix. A total treat for live audiophile sound purists.
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Nakano Sun Plaza, Tokyo, Japan (October 3, 1995)King CrimsonA key cornerstone of the seriesThis release presents the definitive audio version of one of King Crimson’s most celebrated concerts. This exact show at Nakano Sun Plaza served as the foundation for the official “Live in Japan” video release. The musical tapestry is woven flawlessly: the transition from the ferocious “Red” to the melancholic “One Time” showcases the lineup's phenomenal dynamic range. Rare live improvisations from that evening are included as a bonus.
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Nakano Sun Plaza, Tokyo, Japan (October 6, 1995)King CrimsonThe second night at Nakano Sun PlazaThis release captures the second night at Nakano Sun Plaza, which carries a completely different mood than the video-recorded previous night. The musicians have completely shed any stage tension, delivering a powerful set rich with free-form improvisation. “The Talking Drum” is pushed to a primal frenzy here, featuring exceptionally aggressive solos from Fripp. Sourced from the original DAT tape, the audio sounds pristine, perfectly capturing the venue's acoustics and Pat Mastelotto's intricate percussion.
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Hitomi Kinen Kodo, Tokyo, Japan (October 10, 1995)King CrimsonA true audiophile gemThis release brings the listener back to Tokyo, straight to the stage of the Hitomi Memorial Hall. The concert stands out for its pristine, almost academic venue acoustics, which forced the Double Trio lineup to perform with absolute, surgical precision. The rendition of the complex “Frame by Frame” borders on technical perfection, while the melancholic “Walking on Air” feels incredibly spacious. Sourced from the original DAT tape, the audio is masterfully balanced, capturing the full frequency range while spotlighting Tony Levin's elastic bass and Bill Bruford's crisp cymbal work. A true audiophile gem.
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Nendoroid Jujutsu Kaisen Satoru GojoLooks great!!Gojo came in perfect condition, not was broken during the shipping. His hair is bigger than I thought, but it looks great either way. Happy getting him on pre-order when I had the chance
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Nendoroid Jujutsu Kaisen SukunaSo Cute!!Sukana looks really great, nothing was broken. At first I thought his hair color has faded and different than it looked in the photo, but it was just me nothing really seeing that it was actually the same. Happy getting him!!
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Nendoroid Jujutsu Kaisen ChosoPacking was greatThe packaging was great nothing came broken. Choso looks really good, I’m glad I got him on pre-order when I had the money for it!!
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You Seem Pretty Sad For A Girl So In Love [Imported]
Olivia RodrigoYou Seem Pretty Sad For A Girl So In Love [Imported]Olivia Rodrigopretty sad for a girl so in loveThe album is so amazing in the cover photo it is very artistic and beautiful. And the songs are all worth listening to. Very good music!
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petal [Imported]Ariana GrandePetalAriana is doing a fantastic work on the album, all the songs are amazing and good. The album is very good! Highly recommended!
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Amai Kokansetsu [CD+DVD]Meshibe Ohorii love meetan!!!i love this cd so much. megumi ohori is one of my favourite SDN48/AKB48 members. if i hadnt seen that this was available on tiktok i would have never thought that it was still available to buy.
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Collector's Club 1981 Nen 12 Gatsu 14 Nichi Tokyo Asakusa Kokusai GekijyoKing CrimsonCapital's atmosphereThis CD kicks off the run of legendary Tokyo shows at the Kokusai Theater. The performance is highly charged by the capital's atmosphere, with the band unleashing the mathematical precision of their new material with fierce intensity. The live rendition of “The Sheltering Sky” is a major highlight, where Fripp's ambient soundscapes create a truly hypnotic tapestry. This edition boasts a superb frequency balance — Adrian Belew's vocals and wild guitar effects pierce through with absolute clarity without getting buried by the heavy rhythm section.
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Collector's Club 1981 Nen 12 Gatsu 15 Nichi Tokyo Asakusa Kokusai GekijyoKing CrimsonThe second night at the Kokusai TheaterThe second night at the Kokusai Theater showcases perhaps the most experimental mood of the entire tour. Having fully acclimated to the capital's stage, the band stretches out the improvisational segments, and Robert Fripp’s Frippertronics soundscapes feel exceptionally bold and expansive. The performance of “Waiting Man” (still unreleased at the time) is staggering, featuring a hypnotic percussive duel between Bruford and Belew. This edition perfectly captures the depth of the venue, carefully preserving the delicate dynamic shifts from stark silence to explosive sonic assaults.
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Collector's Club 1981 Nen 12 Gatsu 16 Nichi Tokyo Asakusa Kokusai GekijyoKing CrimsonA true gold standard for live soundA recording of one of the final shows of this landmark Japanese tour. The Tokyo performance stands apart from the Osaka gig with an even tighter, almost aggressive drive from the Bruford-Levin rhythm section. The version of “Indiscipline” sounds gloriously unhinged here, while Adrian Belew’s vocals are packed with theatrical drama. The audio source was carefully restored for the Collectors' Club series, allowing the complex polyphony of “Elephant Talk” to shine in full detail. A true gold standard for early '80s live sound.
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Koseinenkin Kaikan, Tokyo, Japan (October 2, 1995)King CrimsonPristine Hi-Fi audio qualityThis double-CD kicks off Wowow Entertainment's official archival series dedicated to the 1995 "Double Trio" Japanese tour. Sourced directly from a soundboard DAT tape, it delivers pristine Hi-Fi audio quality that completely shatters the stereotype of a "muddy" live bootleg. The show is highly notable for its spatial balance: the crushing weight of the Bruford-Mastelotto drum kits never buries the delicate guitar interplay on “Walking on Air.”
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The Elements Of King Crimson - 2020 Tour Box
King CrimsonThe Elements Of King Crimson - 2020 Tour BoxKing CrimsonTrue audiophile treasureThis triple-CD package featuring “The Elements 2021 Tour Box” is a true audiophile treasure trove and an essential target for dedicated collectors. The primary appeal of this box set lies in its stellar mastering of rare archival material, making it the first physical CD home for 16 tracks previously exclusive to digital downloads. This premium pressing manages the complex dynamic shifts beautifully, establishing a flawless balance between the crushing live energy of the 2019 Perugia rendition of “21st Century Schizoid Man” and delicate studio outtakes. Crisp, highly immersive, and rich in low-end definition, it is a magnificent chronicle of the band's history.
